As promised…
Mahsuri
This is the least fun, and also
the most prevelant of the Island’s legends. It’s the one people genuinely do
believe it, and I think there must be some historical record it is based on,
with features either built around it – or
maybe things really did happen exactly this way. Who
knows. Langkawi is the kind of place where you might imagine that if
supernatural moments, curses and magic did indeed exist, it would have to be
here.
Mahsuri was an exquisitely
beautiful girl in a small town. There is
some suggestion that even her birth had a little of the supernatural in it, her
father having found her in a field of burned rice. Either way, she grew up to
be uncommonly graceful, well mannered and accomplished as well as stunningly
beautiful. This is a potent combination,
and, as you can imagine, and especially in a small town, brings you as many
secret enemies as it does sworn suitors.
Mahsuri fell in love and married
a man of some prestige. The two were deeply in love and very happy together,
until they were torn apart by her husband being called to his duty to fight in
the place of another, fallen dignitary in a war away from home.
Mahsuri missed her husband, but
continued quietly, to live her life, nurse her child, and enchant everyone who
met her.
But not all. The exact nature of
how the accusation came about is now known The most common story is that the
accusation was made by another local woman, jealous of Mahsuri’s beauty and her
marriage. There is another theory that it was raised instead by a jealous man,
hoping to win her affections for
himself, but having been politely rebuffed.
Either way an accusation was
made, based on an innocent conversation between Mahsuri and a passing
traveller, that Mahsuri had been adulterous to her husband and thus, under the
law of the time, should be sentenced to death.
In some rather striking
parrellels to the Christ story, the ruler did not initially want to sentence
Mahsuri, but was swayed by the voice of the people, Mahsuri having her loyal
friends, but also many jealous rivals. Eventually he had Mahsuri arrested and
tied to a tree to await her punishment
but, still unsure he delayed. Perhaps, he suggested, Mahsuri’s sentence should
wait for the return of her husband?
This delay did not save Mahsuri’s
life, rather prolonging her suffering as she remained tied to the tree for
several days, suffering the various torments of the extreme weather conditions.
She bore it courageously and with immense dignity, always claiming her
innocence and her life for her husband. Finally the ruler broke down and
attempted to carry out Mahsuri’s sentence, death by impaling, himself. However,
whichever weapon he used, nothing would pierce Mahsuri’s skin.
Growing paler, he nevertheless
continued, to uphold his reputation as a strict ruler, until she herself
pleased with him to end her suffering, telling him that only the Kerris knife
owned by her husband and contained in her house, would kill her. Fetching this,
the ruler stabbed her with it, and out flowed perfectly white blood, signifying
her innocence.
At this the watching townspeople and
the ruler himself grew uneasy, especially as
the sky darkened and the air was full of deep thunder. Raising her dying
head, Mahsuri used her last breath to curse the island of Langkawi to suffer
and fail to prosper for as long as seven generations.
As the engraved writing in
Legenda Park, gravely tells us, Langkawi did indeed suffer for a long time
after that. There was war, famine,
privation, natural disaster and failed harvest. Only recently has Langkawi’s
fortune improved, as it became designated a tourist island, was declared duty
free and began, accordingly, to flourish in the tourist trade, simultaneous improving
its harvests.
As the engraved wording at the
park implies, seemingly in hushed tones
before the carved stone relief
which depicts the story of Mahsuri, the curse has been lifted. And with the
recent discovery of seventh generation descendants of Mahsuri, it is believed
that the curse of the innocent young woman has, finally, been lifted.
Gunung Raya and Gunung Matchinchang
These two mountains now standing proud
and tall and covered in lush foliage were not, it is said, always mountains. They
began life as Mat Raya and Matchinchanng, two huge and powerful giants, transformed
into mounds of earth. Attending a wedding feast the two giants were celebrating
the nuptials of two members of their separate
families. However, at some stage the dispute
between the two, born of age old jealousy of another woman’s affections,
fuelled with alcohol and the atmosphere of the wedding party, spilled over into
an angry fistfight, and the kind of damage you can imagine two giants having a
bar brawl might create.
Either as punishment, or as a
result of the movement in the earth caused by two such large opponent, the
fight ended when they were each transformed into a mountain. If you look very carefully,
and at the right angle, you can still see the giant Matchinchang’s face in the
summit of Gunang Matchinchang.
Ayer Hangat
At the same wedding feast, as the
fighting between the two giants escalated, the families began to fight amongst
themselves, women hurling pots and pans at each other, until, eventually, an
enormous gravy pot was overturned, and smashed on the ground, hot gravy spilling
out and flowing over the countryside to come to rest in the land now known as ‘Ayer
Hangat’, meaning ‘Hot Springs’.
Paulau Kentet Besar and Paulau Kentet Kecil
A young man ate undercooked rice
at a wedding feast (these, it seems, have a lot to answer for), and subsequently
had indigestion. He had indigestion at
two places, creating Paulau Kentet Besar (Big Fart Island) and Paulau Ketet
Kecil (Small Fart Island).
I kid you not.
We were rather intrigued as to
how the Legenda sculptures might deict this one but it was disappointingly
abstract. A collection of sticks. We weren’t uite sure what it meant but it was
certainly a bit of light relief, after all that fighting.
That wasn’t all the legends, only
a choice few that really stuck in my mind. There were also warring phoenixes, angels
dropping heavenly instruments on the ground, shipwrecked princes and fairies dwelling in the Seven Wellls
Waterfall. I remember those features, but not the surrounding stories for other
others.
What strikes me though, is that
among both these and the ones I don’t remember well enough to write down for
you, there was often a common theme of love and hatred, and the one so quickly,
and so unexpectedly, giving rise to another.
Such positive emotions as love
and loyalty can so easily cause so much death and destruction. And it’s not
just in fiction, look at every war, every large dispute, and many, many
domestic murders. The more fervently you love some one, some thing or some
cause, the more you open the possibility,
through the very depth of emotion you give to that subject, of it all turning
very nasty.
Or at the very least, giving you
indigestion.
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